French: pamplemousse English: š French: pls no English: raisinfruit
english: squirrel
german: š
english: oh dear
german: oak croissant
english: helicopter
german: š
english: uh oh
german: lifting screwdriver
english: toes
spanish: š
english:Ā no donāt
spanish
: fingers of the feet
english: bowl
spanish: š
english: oh lordy
spanish: deep plate
english:Ā car
polish: š
english:Ā i changed my mind
polish:Ā that which walks by itself
french:
coccinelle
UK english: ladybird!
american english: ladybug
french: weird
dutch: š
french: ā¦what
dutch: the good lordās little animal
french: ā¦ok
irish, polish and russian: *giggling*
french: ā¦just tell me
irish, polish and russian: GODāS SMALL COW
ITāS BACK
german: Marieās beetle
english: ankle
japanese: š
english:Ā //lies down for an eternal sleep
japanese: footĀ neck
English: Dragon
Finn: š
English: dear god no
Finn: salmon snake
All right, several of these English has no room to complain because its versions are almost the same except it did them in a different language to start with so itās slightly subtler:
āCarā is nice and simple and coopted from a word that meant any kind of wheeled road transport, but āautomobileā? Thatās self+moving, only in French.
German word for helicopter is Hubschrauber. If you take āSchrauberā by itself and try to translate it youāll get screwdriver, but you donāt get Schrauber translating screwdriver ā āSchrauberā is more like āscrewerā. So itās a lift+screw-related-thing, which isnāt very different from Englishās spiral+wing-but-in-Greek.
(Also for anyone else who missed it I have just now learned raisin is French for grape! Which is⦠why. Who did that. Who decided to just wholesale borrow a word from another language to mean something related but not the same as. ā¦Apparently they did it in Middle English, so thereās not a lot of point in complaining about it now. Anyway āgrapefruitā is right there next to āpineappleā in the category of āpuzzling word construction choices in the English languageā. ā¦The dictionary is telling me āgrapefruitā is probably because they grow in clusters, but I just searched for a picture and that is nowhere near clustered enough to merit a comparison to grapes.)
Wasps are functionally the same as bees, we just hate them because theyāre not as cute n can hurt you more than once without dying
Except theyāre not because wasps donāt make honey, they arenāt pollinators, theyāre completely different insects and serve a very different function.
Not sure where youāre getting that information from but it is not correct, as wasps are actually very important pollinators.
There are also 20,000 species of described bees and of those there are only a small handful that produce honey, and of those there are currently even less (off the top of my head I can only think of 4) species we can actually harvest any honey from.Ā
Wasps are also pollinators, ever heard of fig wasps, there are a superfamily of wasps called Chalcidoidea and each different species of fig often has one or two very specific species of wasp needed to pollinate it.Ā
Thereās still this misconception that wasps arenāt great pollinators compared to bees but this isnāt true, wasps are just as ecologically important in pollination as bees are, and also pollinate flowering plants and trees. For example; thynnine wasps pollinate orchids like this dwarf hammer orchid.
This is super common in Australia where we have about 200 species of orchids (spider orchids, elbow orchids, flying duck orchids) that use male insects (most of which are wasp species) to pollinate.Ā
Also most bee species can hurt you more than once without dying. Yes, honeybees have a barbed stinger and die after they sting, but not all bees are honeybees.
And, as our curator likes to say, evolutionarily speaking bees are basically just vegan wasps.
Iām so happy to see this new movement lauding the many virtues of wasps. Iāve had so many people ask me āwhat are they good for?ā Like what the fuck are YOU good for Heather? Do you even know how many different kinds of wasps there are? Yes theyāre important, dammit! An animal doesnāt become worthless just because you personally donāt like it! Your opinion means fuckall to the ecosystem! It doesnāt care!
Even honeybees don’t necessarily die after they sting, if I remember right – they just usually die after they sting humans because our skin is thicker than what they usually have to deal with. So they can’t just jab in and out and then fly off, they need a bit of time to wiggle loose…which they don’t normally get, since people freak out about a bee having stung them (understandably, that shit hurts) and try to get it off as soon as possible.
A Knight in shining armor is a man whose metal has never been tested.
Or one who regularly cleans itā¦but yeah,Ā āBlack Knightsā were called so because their armor was in terrible condition, and they were usually much more experienced, so they usually won tournaments.
Iām curious mainly where you got this concept fromā¦
āBlack Knightsā need to be distinguished by context. Iām on my phone right now so I canāt link you all the sources Iād like to use, so please pardon me for that.
So, the concept of āknight in shining armourā comes from the idea of the knight-errant in medieval fiction, the sort of person who is on a quest, is all shiny and new, ready to test themselves. It also is a nod to the maintenance of equipment, or the wealth of a Knight; in the late medieval and Renaissance periods, well-off knights might have a suit of armour for warfare, a suit for tournaments, and a suit for formal occasions. These being used for different things, they were meant to be maintained well and show status and wealth.
So, where does the concept of a black Knight actually come from?
Surprisingly, most cases come from the idea of the tournament. Knights were meant to display who they were, āshow their coloursā (ie, heraldry), and show off their skills in combat. But if course you had some knights who didnāt want to show who they were, who they were fighting for, or which lady they favoured, etc. This sounds like a chivalric fantasy, and honestly, thatās what tournaments really became as time went by and the events became more formal.
Now, early āblack Knightsā , were those who did not wear dark or black armour, but in fact those who did not use their own heraldry, disguising themselves. Again, they may do this for various reasons, but the concept is they hide their identity. Occasionally, they might actually paint their shields black.
We also have the examples from the hundred years war where French and English knights painted their armour different colours: black for the French, Red for the English.
Some knights actually WOULD favour black armour or heraldry to the point they got called āblack Knightsā, and not as a derogative. The Polish Knight, Zawisza Czarny (pronounced āZah-vu-shah Shar-nyā, approximately) become known for his feats of arms, and by his dark armour.
Linking back to the original quote, a Knight in shining armour could well be a black knight, as such. But more commonly, it meant he was either wealthy, or highly skilled at arms.
Or both. š
Iāve seen enough period art to convince me that āshining armourā was often a lot darker than the chrome-plated image which the term suggests.
Iāve also long thought that the whole business of āknights in shining armourā wasnāt a medieval concept at all, certainly not the default one, but was a Regency / early Victorian fictional conceit from Romance poets and Sir Walter Scottās historical fiction. (About 10 years ago an actual expert said more or less the same thing, leaving actual amateur me feeling rather smugā¦) :->
This illumination features armour thatās black or dark blue in colour, but with
the carefully-delineated highlights
of a shiny surface. There are many other like it.
Armour was coloured for both decorative and practical purposes; chemical blueing with acid produces a very dark, lustrous and effectively rust-resistant finish like the one in the medieval illustration. I once had an Arms & Armor rapier with that finish on the hilt: it looked like thisā¦
Heat-blueing, which was more blue than black, was a popular treatment for Greenwich armour of the Elizabethan period, as was browning and russetting (all of which were and are used on firearms), processes which used heat, chemicals or controlled āgood rustā to create colour and also prevent uncontrolled ābad rustā.
Hereās the helmet of Sir James Scudamoreās Greenwich harness, which was once blued and gilt.
The image on the left is how it looks now, after being thoroughly scrubbed with wire wool, sand or other abrasives at some stage in the 19th century to makeĀ it āshining armourā. The image on the right is a CGI restoration of its original appearance, based on still-visible traces of colour in the grooves beside the gold strapwork.
Hereās the browned and gilt āgarnitureā (armour with extra bits for different styles of combat, like a life-size action figure) of George Clifford, Earl of Cumberland. I donāt think grinding this beauty down to bright metal would be an improvementā¦
Henry VIIIās tonlet (skirted) armour for foot combat at the Field of the Cloth of Gold now looks like this:
Originally it would have been shiny black or dark blue with gilt details and the engraved panels picked out in coloured paint or enamelling – red Tudor Roses, green leaves etc., but that wasnāt āshining armourā, soā¦
This detail shot shows the fine score-marks left after it was sanded ācleanā, with dark pigmentation in the grooves as a memorial of how it once looked.
This Renaissance painting,Ā āPortrait of Warrior with Squireā, shows black armour on the warrior and bare-metal armour on his squire, so itās clear that armour in art wasnāt painted black simply because artists couldnāt properly represent burnished steel.
In this article, Thom Richardson, Keeper of Armour at the Tower of London and Royal Armouries in Leeds (the actual expert I mentioned at the beginning) comes straight out and calls Scott responsible for āshining armourā vandalism:
The sets of armour are not in their original black and gold because of
over-aggressive polishing in the 19th century when, said Richardson,
āthey were polished with brick dust and rangoon oil to within an inch of
their lifeā to fit the aesthetic of what armour should look like, all
shiny and silvery. āWalter Scott is to blame,ā Richardson added
ruefully.
Scott can also be blamed, according to the Oxford English
Dictionary, for creating or at least popularising that clunky, inaccurate term
āchain-mailā. It cites the first appearance in 1822 (recent when talking about mail) when a
character
in āThe Fortunes of Nigelā
says:
āā¦the
deil a thingās broken but my head. Itās not made of iron, I wot, nor my
claithes of chenzie-mail; so a club smashed the tane, and a claucht damaged the tither.ā
Plate armour was also painted, either crudelyā¦
ā¦or with much more care (this style is actually called black-and-white armour); since the paint was oil-based, it also had a rust-proofing effectā¦
I have a notion that the more white there was on black-and-white armour, and thus the more work (by servants, of course!) needed to keep it looking good, may have been an indication of rank, status or success. Just a guessā¦
Armour left rough from the hammer – therefore cheaper than armour polished smooth, since every stage of the process had to be paid for – was also treated with hot oil in the same way cast-iron cookware is seasoned, again to prevent rust.
There were terms for bright-metal armour – āalwyte harnessā and āwhite
armourā – but the existence of such terms suggests to me that they arose
from a need to describe an armour finish which needed a tiresome amount of maintenance to keep it that way. Iām betting that the last stage of a clean-and-polish was a good layer of grease, or even a beeswax sealant like the coatings used by museums today.
White armour may have been a demonstration of wealth or conspicuous consumption in the same way as black or white clothes: one needed servants constantly busy with polishing-cloths, the others needed really good colour-fast dye or lots of laundering, and all of those cost money.
One thing is certain: a knight in shining armour wasnāt the one who sweated to keep it shining. Thatās what squires were forā¦
Just wanted to share this coming out story from a guy I saw on First Dates. He came out to his dad when he was 20, and then his mum when he was 21, after trying very hard to hide that part of himself and never really discussing anything like that in their household. Hearing his motherās response after he explained all that was really gratifying. To all Muslim LGBT+ people, As-Salaam-Alaikum ā¤
And to those who cannot come out to a response like this, please never forget that Allah is with you. I feel your pain and Inshallah, you will be brought peace. Iām praying for you.